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The Secret Doctrine, Volume II. Anthropogenesis

Part I. Anthropogenesis

Commentaries On The Twelve Stanzas And Their Terms, According To Their Numeration, In Stanzas And Shlokas

Stanza I. Beginnings of Sentient Life

Stanza IV. Creation Of The First Races

Part II. The Archaic Symbolism Of The World-Religions

Section I. Esoteric Tenets Corroborated in Every Scripture

Part III. Addenda. Science And The Secret Doctrine Contrasted

Preliminary Notes on The Archaic Stanzas, and the Four Pre-Historic Continents

Stanza II. Nature Unaided Fails

Stanza II.—Continued

Stanza III. Attempts To Create Man

Stanza IV.—Continued

Stanza V. The Evolution of the Second Race

Stanza VI. The Evolution Of The “Sweat-Born”

Stanza VII. From The Semi-Divine Down To The First Human Races

Stanza VIII. Evolution Of The Animal Mammalians: The First Fall

Stanza IX. The Final Evolution Of Man

Stanza X. The History Of The Fourth Race

Stanza XI. The Civilization And Destruction Of The Fourth And Fifth Races

Stanza XII. The Fifth Race And Its Divine Instructors

Section II. Adam=Adami

Section III. The “Holy of Holies.” Its Degradation

Section IV. On the Myth of the “Fallen Angels” in its Various Aspects

Section V. Is Plerôma Satan’s Lair?

Section VI. Prometheus, the Titan

Section VII. Enoïchion-Henoch

Section VIII. The Symbolism of the Mystery-Names Iao and Jehovah, with their Relation to the Cross and Circle

Section IX. The Upanishads in Gnostic Literature

Section X. The Cross and the Pythagorean Decad

Section XI. The Mysteries of the Hebdomad

Section I. Archaic, or Modern Anthropology?

Section II. The Ancestors Mankind is Offered by Science

Section III. The Fossil Relics of Man and the Anthropoid Ape

Section IV. Duration of the Geological Periods, Race Cycles, and the Antiquity of Man

Section V. Organic Evolution and Creative Centres

Section VI. Giants, Civilizations, and Submerged Continents Traced in History

Section VII. Scientific and Geological Proofs of the Existence of Several Submerged Continents

Chapter 619

[←611]

In the Egyptian legend, called the “Two Brothers,” translated by M. Maspéro (the ex-director of the Boulaq Museum), the original of Pandora is given. Noom, the famous heavenly artist, creates a marvellous beauty, a girl whom he sends to Batoo, after which the happiness of the latter is destroyed. Batoo is man, and the girl Eve, of course. (See Revue Archéologique, March, 1878, and also Decharme, ibid., p. 285.)

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